Good times are here again as our movie world is back on track with its usual glamour and drama. And what a long gap it was missing the exciting Fridays, parting with our favorite theater ambience and waiting for the lights to go off as usual. So, it was nice to be in my cinema seat again but sadly was not feeling the same moving out of the hall. Kal Kisne Dekha, is the first movie to be released after the patch up between the producers and cinema owners. It is considered to be a major venture, since it is the launching pad of Vashu Bhagnani' son, Jackie Bhagnani. The boy looks fresh and has impressive acting and dancing abilities to his merit. But unfortunately he becomes a victim of a below-the-mark execution of a weak and repetitive script. The film is based on a future gazing plot, also seen in some recent releases, like "Aa Dekhen Zara" & "8 X 10 Tasveer". And like these two, Kal Kisne Dekha, also goes along the same path where the direction fails to execute & materialize the interesting plot on-screen. The movie starts off in a village in Punjab with all the characters speaking dialogues, in a deliberate mix of Punjabi & Hindi. This very scene brings down the excitement level as using Punjab as its background in movies has now reached a saturation point. We have seen the same sequences and dialogues between a Punjabi mother and his son several times before. Maybe it's time Bollywood directors start thinking beyond Punjab.From Punjab, the story moves on to Mumbai where, Nihaal (Jackie) joins College and also meets his lady love, Meesha (Vaishali Desai). Here we again are served with repetitive scenes of riffs between seniors and freshers, small fights between the lead couple, and then love emerging from both sides, as a requisite. As Nihaal and Meessha fall in love, we are also introduced to Rishi Kapoor, a Physics Professor in the College who, in reality, is the technical brain behind a dangerous Terrorist Group. However, the main plot of the movie, revealed much later, is Jackie's power of predicting the future. He is gifted with a vision to predict future events and is able save many lives. Strangely, this plot, which should have been given the main emphasis, is used in a very light and unimpressive manner by the director. There is no excitement in knowing that the hero can predict the future. Nor there are any thrilling sequences which make you jump to the corner of your seat. In fact, you feel sorry for Jackie, who tries hard to bring the viewer into the movie but gets ditched by the screenplay in a big way. Particularly, the scene where Jackie discloses his precious gift of a vision in front of his college friends, Police & Media is filmed in a very childish manner. For example, on knowing about his futuristic vision, one of the reporters asks, "How do you see those visions, in black & white or in colour?" Quite funny! The climax sequence of Jackie, predicting the hidden bombs planted in different places is also directed in a very sim