Wajah Tum Ho(2016)

Wajah Tum Ho(2016)
Storyline
Officer Kabir investigates a high-profile murder mystery case that involves live broadcasting of the victims on National Television.
Wajah Tum Ho Movie Details
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Plot
After the live broadcast of a corrupt ACP's murder on a popular news channel of Global Times Network, Mumbai Police begins the investigation. The media house owner, rich brat Rahul (Rajneesh Duggal) is the prime suspect in the case. Officer Kabir (Sharman Joshi) is in charge of this high profile investigation. Rahul's legal head Sia (Sana Khan) is his defence lawyer. Ranveer (Gurmeet Choudhary) is the lawyer on behalf of the state.
Soon it is discovered that Rahul's friend and business stake holder, Karan (Himanshu Malhotra), is related to the case in a big way. But, after his murder in a similar live TV broadcast, Kabir and his Police force are in a fix as Rahul is the killer's next target. Later the mystery further unfolds and Kabir is served with another puzzle to solve.
Stills(20)
Box Office CollectionFlop
Opening Day
₹2.86 Cr
Opening Weekend
₹7.79 Cr
First Week
₹10.29 Cr
Lifetime (India)
₹10.29 Cr
Critic Reviews
One line Review: The suspense thriller is a revenge tale with poorly cinematographed frames and sequences. Positive Points: The run time of the film, it is short and crisp. Negative Points: Over the top dialogues kill the intensity of the scenes. Despite being in the thriller genre, the movie is not gripping and the out of context appearance of songs seems illogical. Plot: After the live broadcast of a corrupt ACP’s murder on a popular news channel of Global Times Network, Mumbai Police begins the investigation. The media house owner, rich brat Rahul (Rajneesh Duggal) is the prime suspect in the case. Officer Kabir (Sharman Joshi) is in charge of this high profile investigation. Rahul’s legal head Sia (Sana Khan) is his defence lawyer. Ranveer (Gurmeet Choudhary) is the lawyer on behalf of the state. Soon it is discovered that Rahul’s friend and business stake holder, Karan (Himanshu Malhotra), is related to the case in a big way. But, after his murder in a similar live TV broadcast, Kabir and his Police force are in a fix as Rahul is the killer’s next target. Later the mystery further unfolds and Kabir is served with another puzzle to solve. Who is the real culprit? What is Rahul’s connection to this case and will he be granted mercy or will he face a ruthless death, sums up in the climax. Direction and other Technical Aspects: Not Rahul, not Karan, nor anybody else, the real culprit is the flawed script! The vagueness with which the direction, cinematography, scripting and other aspects of filming are handled is just disappointing. The major drawback are its dialogues that disrupt the smooth flow of the storyline from the word go! The dialogues are so unreal and puerile that they manage to make you laugh even in scenes that are supposed to be intense and serious. The dialogues even ruin the romantic scenes. The performances are weak and the characters are half backed. The love making scenes between the leads look mechanical as there is no love or chemistry seen amidst them. The scenes are abruptly shot and a few sequences refrain logic. Performance: Sharman Joshi’s performing skills are wasted in the film. Due to the underdeveloped character, the tough cop role does not fit well and does not impress. Sana Khan performs averagely in the movie. Her glamourous avatar does not support the character that she essays. Gurmeet Choudhary, Rajneesh Duggal do not add any value to the movie. They in turn bring down the scale with their weak performances. Supporting actors perform averagely. Music: The old classic songs are poorly remixed that feature unnecessary and pointless visuals. The background score is loud and the songs erupt at random occasions. Also, it seems as if the songs are a separate entity and are not part of the film due to their ambiguous execution and placement. Final Verdict: There is hardly any substance in the plot and content wise the movie does no good to the viewers.
External Reviews
The thought of an empty bus ride home lost its charm after December 16, 2012. I hope you have healed a little, Nirbhaya. It's ironic that of all 200-odd films made in a year, it is 'Wajah Tum Ho', which finds itself in theatres today. The reason I bring up Nirbhaya's story is because the film shows a gangrape - sensational, titillating and handled insensitively. It is graphic and makes you cringe. The men in power, who brutalise the victim, walk away scot-free till her revenge is plotted.
A vigilante kills a corrupt cop and airs the act on live television after hacking the system of a renowned television channel headed by Rahul Oberoi (Rajniesh Duggal). When ACP Kabir Deshmukh (Sharman Joshi) starts investigating the case with the help of a consulting lawyer Ranveer Bajaj (Gurmeet Choudhary), things get complicated when Oberoi is defended by his company's legal head Siya (Sana Khan), who is also dating Ranveer.
Thrillers can lose the plot, thick and fast when they aspire to be mushy romances too. Trying to shove a little bit of everything into a movie isn't always the right formula. Vishal Pandya's Wajah Tum Ho starts off as a crime thriller, sporadically turns into a song and dance fest and in the end tries to be a suspense story with further twists and turns. With so many confused aspirations, the film becomes a garish hotchpotch, an unpalatable goulash.
A tech genius hacks into a TV channel owned by Rahul Oberoi (Rajneish) and starts streaming a murder on it. Rahul - the prime suspect - is interrogated by inspector Kabir (Sharman) and defended by his lawyer, Siya (Sana). Siya's boyfriend Ranveer (Gurmeet) is hired by the government to prosecute Rahul. The plot thickens (by about an inch) when another suspect is killed off on live TV.
WAJAH TUM HO is a film that mirrors the battle between money and power vis a vis love and emotions. The film starts off with the gruesome murder of a corrupt cop ACP Ramesh Sarnaik. Besides murdering him mercilessly, the entire 'episode' of the murder gets telecasted on GTN (Global Times Network), whose CEO happens to be the highly influential Rahul Oberoi (Rajneesh Duggal). As a part of the proceedings, a sincere Inspector Kabir Deshmukh (Sharman Joshi) enters the scene as the Investigating Officer, who spares no space for doubts in the case.
The writers and director of Wajah Tum Ho are serious about their story. They are earnest about crime, vengeance, hacking. They are equally serious about remixed songs, itsy-bitsy clothing, item numbers, mid-riff baring lawyers and their costume, hair and make-up budgets. A news network is hacked and a murder is telecast live. The channel's control centre head's one astute observation: "I think we are hacked." No kidding Sherlock! Why doesn't the channel switch off the feed and go to white noise? Because the simple answer is not the one chosen by characters in Vishal Pandya's romantic thriller.
Directed by Vishal Pandya, Wajah Tum Ho is one of those films which will leave you wondering what it was by the time you finish watching it. The film is a stale cocktail of lust, betrayal, revenge and vengeance. Barring Sharman Joshi, no one seems to be even trying to act. Wajah Tum Ho could have been a better film on cyber crime but by the time the film picks up pace, it is too late.
Kabir Deshmukh (Sharman Joshi) has to solve a twisted case of live murder that has been broadcast on TV. ACP Sarnaik is murdered and his death is telecast on Global Time Channel owned by Rahul Oberoi (Rajniesh Duggal). Naturally, the channel owner is the prime suspect in this case. To Rahul's rescue comes Siya (Sana Khan), who works as his legal head.
The leading TV channel may be 'Global Time Network', or really 'Global Times Network'. One can't be sure. It may be about empowered women serving as legal heads of media houses, or about what Bollywood thinks empowered women dress like. One can't tell. It may be about honest policemen doing their jobs, or about cruel cops having their fun. One can't say if the film knows the difference.
Bollywood thrillers take a safe and predictable route - there are a few exceptions of course. You are introduced to half a dozen characters, who keep looking into the camera with twitched lips. Just when you stop caring, one of them confesses his crime. A weird theory is sufficed to back it up and then five minutes before the climax somebody else comes up with an even weirder theory. In between, a couple of 'item' numbers do the tricks to keep the B-grade tag afloat.
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